The mild pad beat that plays when all the layers fade in and fade out at the beginning and at the end is same as the rhythmic bell sound that we heard in “Bombay theme”. This is how he creates a new sound by programming new patterns and loops in the keyboard. The basic keyboard rhythm floating in the background is something never heard before and it is captivating. With a single keyboard and mild pad beats he has given a haunting melody. In this song, there is no typical usage of flute, guitar, veena, and grand violin orchestration in the interludes, which has become the inevitable instruments to be used in any melody. Music: Rahman always tries different sounds in melodies too. Jayachandran had a great come back through this song.
Male version is evident that ARR still gives equal importance to the legendary singers like Jayachandran as well.
VELLAI POOKAL SONG FROM KANNATHIL MUTHAMITTAL FREE DOWNLOAD MOVIE
Chinmayee is a great find and ARR still interested in introducing new singers as he was doing is each and every movie in 90’s. Jayachandran sings male version and Chinmayee sings Female version. I think if you are still have a good taste in music beyond language barriers you will be surprised by this new kind of music from ARR. Unlike his other Tamil songs, Rahman cannot remake these songs in Hindi because the songs are unique, situational and has a hard-core south Indian music. I think many north Indians and non-Tamil speaking music fans haven’t heard this album and if so I would say they are missing something great stuffs in music. By getting this award both of them set a national record that A.R.Rahman is the only music director in India to get Four national awards and Vairamuthu is India the only lyricist to get five national awards. The scope of this review is only on award winner of Best Music A.R.Rahman and Best Lyricist Vairamuthu who made this album of soul stirring numbers. Even in India it bagged 6 national awards for Best Child Artist, Best Audiography, Best Editing, Best Music, Best Lyrics, Best Regional Film. This movie is critically acclaimed in many international film festivals. “Kannathil Muthamitaal (Kiss in the cheek)” is the Maniratnam’s yet another dimension of looking at terrorism in Srilanka.
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